The Holsten Gate (Low German and German: Holstentor) is a city gate marking off the western boundary of the old center of the Hanseatic city of Lübeck. Built in 1464, the Brick Gothic construction is one of the relics of Lübeck's medieval city fortifications and one of two remaining city gates, the other being the Citadel Gate (Burgtor). Known for its two-round towers and arched entrance, it is regarded today as a symbol of the city. Together with the old city centre (Altstadt) of Lübeck it has been a UNESCO World Heritage Site since 1987.

The rich Hanseatic city of Lübeck felt the need in the course of the centuries to protect itself from outside threats with ever stronger walls and fortifications. Three gates gave access to the city: the Citadel Gate in the north, Mill Gate in the south, and the Holsten Gate in the west. To the east, the city was protected by the dammed Wakenitz River. Here, the less martial Hüxter Gate led out of the city.

These city gates were initially simple gates which were repeatedly strengthened over time so that they eventually all had an outer, middle and inner gate. Today, only fragments remain of these ancient city gates. The gate now known as the Citadel Gate is the former Interior Citadel Gate; the Middle and Outer Citadel Gates no longer exist. All three Mill Gates have completely disappeared. The gate now known as the Holsten Gate is the former Middle Holsten Gate; there was also an (older) Inner Holsten Gate, an Outer Holsten Gate, and even a fourth gate, known as the Second Outer Holsten Gate. So the history of the Holsten Gate is actually the history of four consecutive gates, although only one of them is left.

The names of the individual gates changed as a matter of course as their components emerged and disappeared. The Middle Holsten Gate was once the Outer Holsten Gate before the gates on either side were constructed. Still today there is a great deal of confusion about the names as one studies the historical record. The four gates and their history are described below.

Inner Holsten Gate  The Holsten Gate in 1700. The drawing shows the various gates as they appeared around 1700. In the front the Second Outer Holsten Gate is visible, followed by the Outer and Middle Holsten Gates Behind the Holsten Bridge is the Inner Holsten Gate—in this picture the half-timbered construction which replaced the original gate in the 17th century.

The oldest Holsten Gate guarded the nearby banks of the Trave River. One had to leave the city through this gate in order to get to the Holsten Bridge, which crossed the river. It is not known when a gate was erected here for the first time. The Holsten Bridge was first mentioned in a 1216 deed signed by the king of Denmark. It is likely that already at that time there was a gate and a city wall along the Trave River. The designations "Holsten Bridge" (and "Holsten Gate") are simply a consequence of the fact that the city's western exit was in the direction of Holstein.

Historical records indicate that the Holsten Bridge and Holsten Gate were renewed in 1376. There is good evidence for the appearance of the gate erected at that time in a woodcut of a view of the city of Lübeck produced by Elias Diebel. Although this is a city view from the eastern, Wakenitz side of the old inner city hill, the artist has folded out essential parts of the gate's west side, so that they too become visible. It was a rectangular tower with a wooden gallery on the upper part.

At an unknown date in the 17th century, the Inner Holsten Gate was replaced by a smaller, simple half-timbered gate—possibly because no point was seen in having a strong inner gate in light of the strong outer fortifications which had been erected in the meantime. The Inner Holsten Tor was connected to the dwelling of the tollkeeper, who guarded the access to the city at this location.

The half-timbered gate was replaced by a simple iron gate in 1794, which in turn was demolished in 1828, together with the tollkeeper's house and the city wall along the Trave River.

It is likely that there was a gate also on the opposite bank of the Trave at an early date. But nothing is known of its appearance. If it existed, it was torn down before or after the construction of the Middle Holsten Gate.

Middle Holsten Gate

In the 15th century the entire gate construction was considered to be inadequate. The proliferation of firearms and canon made stronger fortifications necessary. It was decided to build another gate—the Outer Holsten Gate, later known as the Middle Holsten Gate and today only as the Holsten Gate. Funding was secured by a legacy of the councilman John Broling amounting to 4,000 Lübeck marks.[1] In 1464 the city's architect, Hinrich Helmstede, began construction, which was completed in 1478. It was erected on a seven-metre high hill raised for the purpose. Already during the construction period this foundation proved to be unstable. The south tower sagged because of the marshy ground and already during constructions attempts were made to compensate for its inclination.

For more history of the Middle Holsten Gate see the section on demolition and restoration below.

Outer Holsten Gate

The exterior Holsten Gate was also known as the Renaissance Gate, the Foregate or the Crooked Gate. It was constructed in the 16th century when a wall was built west of the Middle Holsten Gate into which a gate was inserted. The outer Holsten Gate was completed in 1585. The new gate obstructed the view of the Middle Holsten Gate since its eastern exit was located only 20 metres from that construction. A walled area known as the zwinger was created between the two gates.

Its foregate was small compared with the approximately one hundred years older Middle Holsten Gate, but much more richly decorated on the field side. The city side was by contrast left plain. The Outer Holsten Gate was the first gate to bear an inscription. It read, "Pulchra res est pax foris et concordia domi – MDLXXXV" ("It is wonderful to have peace without and harmony within - 1585") and was placed on the city side. It was later moved to the field side and slightly modified ("Concordia domi et foris pax sane res est omnium pulcherrima", "harmony within and peace without are the greatest good of all"). Connected to the gate was the home of the Wall Master, who was responsible for the maintenance of the fortifications.

The builder of the Renaissance gate was probably the city architect Hermann von Rode, who designed the front following Dutch prototypes. For example, the Nieuwe Oosterpoort in Hoorn is directly comparable. This gate existed for about 250 years and was in the end sacrificed to the railway; it was demolished in 1853 to make room for the first Lübeck train station and tracks. Today, this station no longer exists either; the present station is located about 500 metres to the west.

Second Outer Holsten Gate

At the beginning of the 17th century new city walls were built in front of the city moat, under the supervision of military engineer Johhann von Brüssel. As part of this construction a fourth Holsten Gate was built in 1621. It was completely integranted into the high walls and topped by an octagonal tower. The archways bore the inscriptions "Si Deus pro nobis, quis contra nos" ( "If God be for us, who can be against us?") on the city side and "sub alis altissimi" ("Under the protection of the Most High") on the field side. This gate was the last of the four Holsten Gates to be constructed and the first to disappear, namely in 1808.

Demolition and restoration in the 19th century

In the course of industrialization, the fortifications were considered to be only annoying obstacles. In 1808 the second outer Holsten Gate was demolished, in 1828 the inner Holsten Gate, and in 1853 the outer Holsten Gate. It was then considered to be only as a matter of time before the Middle Holsten Gate, the only remaining of the four gates, would be torn down. Indeed, in 1855, Lübeck citizens petitioned the Senate to finally demolish the remaining gate, since it hindered the extension of the railway facilities. This petition had 683 signatures.

 The Holsten Gate around 1900. Looking west at the gate's eastern side, which faces Lübeck's old city centre ("city side")

However, there was at that time also growing resistance to the destruction of old buildings. Thus August Reichensperger wrote in 1852, "Even Lübeck, once the proud head of the Hanseatic League, does not seem able to endure the reflection of its former glory. It maims, crops and covers up so assiduously that "modern Enlightenment" will soon have nothing to be ashamed of any more".[2] When King Frederick William IV of Prussia heard of this, he sent Prussia's then-curator of historic monuments, Ferdinand von Quast, to salvage whatever could be saved.[3]

Controversy over the demolition went on for a long time. A decision was made only in 1863 when the Lübeck citizens decided by a majority of just one vote not to demolish the building but to instead extensively restore it. Meanwhile, the gate was in very bad condition, since every year it had sunk a few centimetres further into the ground. The lowest loopholes were already 50 centimetres below ground, and the inclination of the entire gate was beginning to be dangerous. This drastically altered the statics of the building, so that its collapse was feared. The Holsten Gate was thoroughly restored, with work continuing into 1871.

Afterwards there was a change in the relationship of the Lübeck population to the Holsten Gate. It was no longer perceived as a troublesome ruin, but as a symbol of a proud past. In 1925, the German Association of Cities made the Holstentor its symbol. As early as 1901, the marzipan manufacturer Niederegger used the Holsten gate in its company trademark. Other Lübeck companies did the same.

Restoration 1933/34

Since the towers continued to slant and their collapse could still not be ruled out, a second restoration became necessary. This occurred in the years 1933-34, during which the Holsten Gate was stabilized so that it finally stood firm. In this final restoration, reinforced concrete anchors were used to secure the towers, which were girded by iron rings. Changes were, however, also made which did not correspond with the original character of the gate, including the above-mentioned merging of north tower floors. The Nazis turned the Holsten Gate into a museum. It was called the Hall of Honor and Glory, and was supposed to represent Lübeck and German history from the perspective of Nazi ideology.

In the second half of the 20th century minor repairs were made to the Holsten Gate which are no longer in line with current standards for architectural conservation.

Restoration 2005/06

From March 2005 to December 2006, the Holsten Gate was again restored. The restoration was estimated to cost around one million euros, with 498,000 euros (the originally planned cost) being provided by the German Foundation for Monument Protection and the Possehl Foundation. The remaining costs were primarily covered through donations from individuals, companies and academic institutions. A swastika dating from 1934 was cut out and taken away by unknown parties a few days after the scaffolding was installed for the repairs. It was considered to be the last swastika still remaining on a public building in Germany and was supposed to be concealed with metal sheeting as part of the restoration work. A plate with the date 2006 was put up where the stolen swastika had been to commemorate the completion of restoration work.

On 2 December 2006, the Holstentor reopened to the public as part of a light show created by the artist Michael Batz. For safety reasons the gate had been obscured during restoration by a high resolution depiction of the gate before work had begun, printed on scaffolding tarpaulins.

^ Emil Ferdinand Fehling: Lübeckische Ratslinie. Nr. 525 ^ August Reichensperger (1845), Die christlich-germanische Baukunst und ihr Verhältniß zur Gegenwart (in German), Trier: Fr. Lintz, pp. 85, Anm. 2 ^ Otto Dziobek: Geschichte des Infanterie-Regiments Lübeck (3. hanseatisches) Nr. 162; erste Auflage 1922, im Zusammenhang mit dem General v. Quast und der Bedeutung der v. Quasts für Lübeck
Photographies by:
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