The cave which now became the temple gateway was founded by a monk from China in 1890 who walked through the area from Ipoh.[1] The monk then decided to make the cave as his home and a place for meditation where he remained there until the end of his life. This was then continued by other monks and nuns who dedicated their lives to Buddha where a temple was then constructed in the 1950s.[1][2]

In Malaysia's Sam Poh Cave, a striking collection of multicultural cave paintings has been discovered, reflecting the history of the three major ethnic groups.

Located in the state of Perak, Sam Poh Cave is a Buddhist temple and a historically significant site. Within the cave, various rock paintings have been found, depicting images from different cultural and religious backgrounds. These paintings illustrate elements of Buddhism, Taoism, and Hinduism, showcasing the exchange and fusion of diverse cultures and religions in this location.

Specifically, some rock paintings depict deities from Hinduism, such as Vishnu and Parvati . This suggests that in ancient times, Malaysia's Indian community engaged in cultural and religious exchanges with other ethnic and religious groups.

This intriguing discovery emphasizes that the cave paintings at Sam Poh Cave serve as a site reflecting the history of multiculturalism . It proves that in this region, there exists a historical narrative of interaction and coexistence among different ethnicities and religious communities.